Music has always played an important role in my life, although always second to the film on the subject of imagination and influence. Music has been by means of emotional expression thus the greater sense of failure that I have been unable to become a musician, from traditional jazz blues in my adolescence to Beethoven wile in prison and the power of Verdi’s Requiem Mass on an early visit to the Royal Albert Hall. I was never into the Beatles and Elvis Presley when they first hit the headlines, but one Group who were and remain a visual delights and who music express great joy, whose lyrics always tell a story and towards their final performing years included some of the realities love, relationships, and its failures, was ABBA.
It has been an odd choice of music to enjoy over the past few days dominated by news of a devastating tragedy in my extended family but it was a way of holding things together in a way which other more serious and sad music will have been more difficulty.
The DVD, Super Trouper, marking the 5th year of the London Show Mama Mia had come in the New Year, along with In Bruges, and therefore had not been a first choice, but as soon as I commenced watching it touched so many memories that as with In Bruges I held it back to watch again, and did so.
The DVD also marked the occasion when three of the four member of the group appeared together on stage, not to perform, but to mark thirty years since they first became internationally recognised entertainers wining the European Song Contest with Waterloo. The four did come together in their homeland Sweden for the opening of the musical production there and then more recently this year for the opening of the film, both called Mama Mia.
On stage in London they were presented by Pete Waterman with a Los Vegas style elongated plaque with all their Platinum triumphs and not a gold in sight.
(The record industry categorises its awards in each country differently and in the UK a gold record is issued for 100000 albums sales and platinum for 300000 while in the USA the award is for half a million and 1 million and Diamond for 10 million while in some countries an award can be for significantly fewer sales in quantities of for sales in only thousands and tens of thousands. For the traditional single, which these days are often an EP, the awards are for 400000 and 600000 and in the USA half and a million again with no Diamond award. In the USA where digital downloading has become common the same standard is in operation. It also appears that sometimes the industry announces and award based on initial sales and forecast rather than actual sales. Even lists of popular and successful record sales is open to significant manipulation within the industry and should be treated with great caution. It is not as bad though as the scandal of Boxing.)
Abba is general regarded as having sold Albums in their millions and the plaque presented on the London stage mentions some 360 million albums although Wikipedia gives the total of 400 million an increase of over 10% in five years for a group that has not performed together for over twenty five years.
The DVD is structured in a confusing way with film of their career as a group especially the amazing tour of Australia when tens of thousands lines the streets all the way from the airport into the city and the hysteria was such that they became hotel prisoners for whole tour, an experience which happened elsewhere, but to less extent, and which resulted in affecting Agnetha, especially who found the crush overpowering and threatening
The DVD includes individual interviews about their early music lives and contains rare footage as well as of music performances. Is there anyone who does not know that Abba stands for Agnetha, Bjorn, Benny and Anni-Frid, who is known as Frida? Or that they shot to fame by winning the European Song Contest with Waterloo and were the first Continental group to sells records by the millions in the USA, as well Australia, Germany and South Africa as well as in the UK.
Benny was part of a popular Swedish Beatles style Rock group that had hits in Sweden who was mainly a keyboard instrumentalist who started to write for the band. Bjorn was a singer guitarist who was part of a group, the Hootenanny Singers and when both groups found themselves performing at a Folk festival one attended the party of the other and Bjorn and Benny decided to write song together while continuing with their groups.
It was during the Swedish contest of an earlier European Song Competition that Benny Anderson met Anni-Frid and they decided to date and within a month they became a couple. Benny and Bjorn then did an album of work together so the three became linked..
Agnetha the natural blonde, had a separate career where she had a hit record when she was only 17. She met Anna at a TV show and Bjorn at a concert shortly afterwards. Bjorn and Agnetha met again commenced a relationship and married and also got involved with each other’s recordings and then Benny and Anni provided backing vocal for an Agnetha album so the four worked together for the first time. Anni Frid: Freda, was in fact the youngest early performer of the four, starting at the age of 13 with bands playing a jazz cabaret style. She had her group at one point and made records. Thus ABBA was not a music management creation of people with little proven talent and no previous experience of performing and recording. They were individually established and experienced performers where Waterloo could have proven their first and only lasting international success. One f the remarkable aspects of their longevity is that their first language, and their performing language was Swedish.
The four commenced to work together and to perform regularly in 1971. It was not until a couple of years later that they decided recording and performing as individuals was unwieldy and their manager Stig Anderson, who had privately referred to them as ABBA, the name of a Swedish fish canning company, that they needed a group name, and they became known as ABBA .
Their Euro contest winning song Waterloo was an instant chart success reaching first spot in the UK, Germany and Australia and significantly 6th in the Billboard 100 in the USA. There second Honey Honey, featured in the film, (I have not seen the stage show and assume all the songs are the same in both, was not an instant success and it was likely that they and the international music world thought they would they were what so many others have been, a one song or one album success story, never be defeated or surpassed.
Their first tour to West Germany, Austria and Denmark in 1974 was not a great success but their tour of Sweden and Finland in 1975 attracted huge crowds and their further records topped charts in Australia and South Africa. Their third Album included S,O.S and Mama Mia and while they had international success including the USA, they were not regarded as International Superstars until Dancing Queen and their Australian Tour and its film. Fernando written originally in Swedish for Frida and became a hit in 12 countries and remained top in Australia for 14 weeks. Money Money Money followed and Knowing Me, Knowing You But then they produced Dancing Queen in 1977 which became number One in the USA and the rest they ay is history. They then commenced their European tour and 3.5 million mail order requests were received for their two concerts at the Royal Albert Hall, 580 times its capacity. Part of the London Concert was filmed for use as part of the film ABBA the movies based on the tour of Australia.
In 1979 their recording Chiquitita was created for the Unicef Year of the Child with royalties to the charity and became a number 1 in ten countries.
As many people continue to point out ABBA song tell stories of human experience and are complex and difficult to sing. The two girls would be required to spend hours learning and recording them, bearing in mind these were also in English and not their thinking and speaking language this only underlines their professionalism. Benny and Bjorn also used their studio time creatively making stronger and deeper sounds by double tracking voice and instrumentalists and this created problems with some in the live audiences audience who found that the stage performances sounded different from the records. This was so with their first and only tour of the USA and Canada although every concert was sold out. Then they played in 23 sold out concerts in Europe including six nights at Wembley Arena. By 1980 they had produced Super Trouper and more significantly perhaps The Winner Take All and this raises a major issue which has affected all my writing and other work past and resent,
The lyrics of their songs at this time reflected some of the emotions experienced as their young marriages turned into divorce. As I have previously written there is a sorrowful spiritual aspect to the Swedish soul hence their high suicide rates. There is also a frank adult openness which the traditional middle class English have felt uncomfortable about, and the films of Ingmar Bergman reflect this creating a succession of masterpieces and clinically perfect relationship studies of marriage and between parents and children.
I have always found writing the truth about myself, especially my emotional self, difficult to impossible and have always questioned the use by the artist of specific experiences relating to their personal relationships with others. It is not just a question of respecting the rights and interests of others but the using of personal experience in this, for me, takes away something from the actual experience, in music the same way that I often do not take or use my camera with people I know and care about and for my mother’s 100th birthday, I have relied mainly on the photographs taken by others,
What is a different issue and something which applies to ABBA is that personal participation in tragedy and relationship traumas, or involvement in major events such a War or natural disaster does effect the quality of artistic work as well as lives in general. Some artist true genius when their work reflects the deeper emotions, passions and psychological insights without the individual having had direct experience
My reservations and inhibitions mean that my daily writings can be unbalanced because they do not affect the personal emotions experienced in my life which I believe should remain private to those directly concerned. Hopefully something of the full rainbow of emotional experiences during my day is communicated.
The public break up of the second couple within ABBA resulted in the official breaking up the group as stage performers and recording artists in the early 1980’s, that is two and half decades ago and yet in some respects the public love of their music has become stronger, affecting generation after generation.
While they all continues to perform and record or to be involved with writing and music production, some with success, nothing has come close to their collective work as ABBA and is derivatives, the stage musical and now the film.
There was involvement with the production of Chess and the musical Abbacadababra produced in France for TV and for children. Individually they have sometimes included ABBA song in their performances with Benny and Bjorn performing together. However 25 years was to pass before the four met together for the Swedish openings of their work. While attention has focussed on Benny and Bjorn because of their work with the musical and the film, Agnetha and Frida continued with their careers. In 1995 Frida issued a box set of her solo records and a three and half hour DVD of her professional life in which she guides the viewer,
In the 1990 Abba Gold was released, I have a copy of their greatest hits, one of the 26 million sold. This was followed in 1994 by the Thank you for the Music compilation, a four disk set. The opening of the Musical Mama Mia in 1999 ignited international interest and it is true that they were offered 1 million Swedish Kroner £140 million US dollars for a world tour in 2000, although the precise amount is something of legend. There is no sign of public interest in the musical fading and other language versions have been created and opened in different parts of the world. The film Mama Mia is likely to become another chart topping success as has the DVD. While there is a nostalgia aspect the those who took to the group in the 70’s and 80’s new generations have joined in. Their music lives on.
It has been an odd choice of music to enjoy over the past few days dominated by news of a devastating tragedy in my extended family but it was a way of holding things together in a way which other more serious and sad music will have been more difficulty.
The DVD, Super Trouper, marking the 5th year of the London Show Mama Mia had come in the New Year, along with In Bruges, and therefore had not been a first choice, but as soon as I commenced watching it touched so many memories that as with In Bruges I held it back to watch again, and did so.
The DVD also marked the occasion when three of the four member of the group appeared together on stage, not to perform, but to mark thirty years since they first became internationally recognised entertainers wining the European Song Contest with Waterloo. The four did come together in their homeland Sweden for the opening of the musical production there and then more recently this year for the opening of the film, both called Mama Mia.
On stage in London they were presented by Pete Waterman with a Los Vegas style elongated plaque with all their Platinum triumphs and not a gold in sight.
(The record industry categorises its awards in each country differently and in the UK a gold record is issued for 100000 albums sales and platinum for 300000 while in the USA the award is for half a million and 1 million and Diamond for 10 million while in some countries an award can be for significantly fewer sales in quantities of for sales in only thousands and tens of thousands. For the traditional single, which these days are often an EP, the awards are for 400000 and 600000 and in the USA half and a million again with no Diamond award. In the USA where digital downloading has become common the same standard is in operation. It also appears that sometimes the industry announces and award based on initial sales and forecast rather than actual sales. Even lists of popular and successful record sales is open to significant manipulation within the industry and should be treated with great caution. It is not as bad though as the scandal of Boxing.)
Abba is general regarded as having sold Albums in their millions and the plaque presented on the London stage mentions some 360 million albums although Wikipedia gives the total of 400 million an increase of over 10% in five years for a group that has not performed together for over twenty five years.
The DVD is structured in a confusing way with film of their career as a group especially the amazing tour of Australia when tens of thousands lines the streets all the way from the airport into the city and the hysteria was such that they became hotel prisoners for whole tour, an experience which happened elsewhere, but to less extent, and which resulted in affecting Agnetha, especially who found the crush overpowering and threatening
The DVD includes individual interviews about their early music lives and contains rare footage as well as of music performances. Is there anyone who does not know that Abba stands for Agnetha, Bjorn, Benny and Anni-Frid, who is known as Frida? Or that they shot to fame by winning the European Song Contest with Waterloo and were the first Continental group to sells records by the millions in the USA, as well Australia, Germany and South Africa as well as in the UK.
Benny was part of a popular Swedish Beatles style Rock group that had hits in Sweden who was mainly a keyboard instrumentalist who started to write for the band. Bjorn was a singer guitarist who was part of a group, the Hootenanny Singers and when both groups found themselves performing at a Folk festival one attended the party of the other and Bjorn and Benny decided to write song together while continuing with their groups.
It was during the Swedish contest of an earlier European Song Competition that Benny Anderson met Anni-Frid and they decided to date and within a month they became a couple. Benny and Bjorn then did an album of work together so the three became linked..
Agnetha the natural blonde, had a separate career where she had a hit record when she was only 17. She met Anna at a TV show and Bjorn at a concert shortly afterwards. Bjorn and Agnetha met again commenced a relationship and married and also got involved with each other’s recordings and then Benny and Anni provided backing vocal for an Agnetha album so the four worked together for the first time. Anni Frid: Freda, was in fact the youngest early performer of the four, starting at the age of 13 with bands playing a jazz cabaret style. She had her group at one point and made records. Thus ABBA was not a music management creation of people with little proven talent and no previous experience of performing and recording. They were individually established and experienced performers where Waterloo could have proven their first and only lasting international success. One f the remarkable aspects of their longevity is that their first language, and their performing language was Swedish.
The four commenced to work together and to perform regularly in 1971. It was not until a couple of years later that they decided recording and performing as individuals was unwieldy and their manager Stig Anderson, who had privately referred to them as ABBA, the name of a Swedish fish canning company, that they needed a group name, and they became known as ABBA .
Their Euro contest winning song Waterloo was an instant chart success reaching first spot in the UK, Germany and Australia and significantly 6th in the Billboard 100 in the USA. There second Honey Honey, featured in the film, (I have not seen the stage show and assume all the songs are the same in both, was not an instant success and it was likely that they and the international music world thought they would they were what so many others have been, a one song or one album success story, never be defeated or surpassed.
Their first tour to West Germany, Austria and Denmark in 1974 was not a great success but their tour of Sweden and Finland in 1975 attracted huge crowds and their further records topped charts in Australia and South Africa. Their third Album included S,O.S and Mama Mia and while they had international success including the USA, they were not regarded as International Superstars until Dancing Queen and their Australian Tour and its film. Fernando written originally in Swedish for Frida and became a hit in 12 countries and remained top in Australia for 14 weeks. Money Money Money followed and Knowing Me, Knowing You But then they produced Dancing Queen in 1977 which became number One in the USA and the rest they ay is history. They then commenced their European tour and 3.5 million mail order requests were received for their two concerts at the Royal Albert Hall, 580 times its capacity. Part of the London Concert was filmed for use as part of the film ABBA the movies based on the tour of Australia.
In 1979 their recording Chiquitita was created for the Unicef Year of the Child with royalties to the charity and became a number 1 in ten countries.
As many people continue to point out ABBA song tell stories of human experience and are complex and difficult to sing. The two girls would be required to spend hours learning and recording them, bearing in mind these were also in English and not their thinking and speaking language this only underlines their professionalism. Benny and Bjorn also used their studio time creatively making stronger and deeper sounds by double tracking voice and instrumentalists and this created problems with some in the live audiences audience who found that the stage performances sounded different from the records. This was so with their first and only tour of the USA and Canada although every concert was sold out. Then they played in 23 sold out concerts in Europe including six nights at Wembley Arena. By 1980 they had produced Super Trouper and more significantly perhaps The Winner Take All and this raises a major issue which has affected all my writing and other work past and resent,
The lyrics of their songs at this time reflected some of the emotions experienced as their young marriages turned into divorce. As I have previously written there is a sorrowful spiritual aspect to the Swedish soul hence their high suicide rates. There is also a frank adult openness which the traditional middle class English have felt uncomfortable about, and the films of Ingmar Bergman reflect this creating a succession of masterpieces and clinically perfect relationship studies of marriage and between parents and children.
I have always found writing the truth about myself, especially my emotional self, difficult to impossible and have always questioned the use by the artist of specific experiences relating to their personal relationships with others. It is not just a question of respecting the rights and interests of others but the using of personal experience in this, for me, takes away something from the actual experience, in music the same way that I often do not take or use my camera with people I know and care about and for my mother’s 100th birthday, I have relied mainly on the photographs taken by others,
What is a different issue and something which applies to ABBA is that personal participation in tragedy and relationship traumas, or involvement in major events such a War or natural disaster does effect the quality of artistic work as well as lives in general. Some artist true genius when their work reflects the deeper emotions, passions and psychological insights without the individual having had direct experience
My reservations and inhibitions mean that my daily writings can be unbalanced because they do not affect the personal emotions experienced in my life which I believe should remain private to those directly concerned. Hopefully something of the full rainbow of emotional experiences during my day is communicated.
The public break up of the second couple within ABBA resulted in the official breaking up the group as stage performers and recording artists in the early 1980’s, that is two and half decades ago and yet in some respects the public love of their music has become stronger, affecting generation after generation.
While they all continues to perform and record or to be involved with writing and music production, some with success, nothing has come close to their collective work as ABBA and is derivatives, the stage musical and now the film.
There was involvement with the production of Chess and the musical Abbacadababra produced in France for TV and for children. Individually they have sometimes included ABBA song in their performances with Benny and Bjorn performing together. However 25 years was to pass before the four met together for the Swedish openings of their work. While attention has focussed on Benny and Bjorn because of their work with the musical and the film, Agnetha and Frida continued with their careers. In 1995 Frida issued a box set of her solo records and a three and half hour DVD of her professional life in which she guides the viewer,
In the 1990 Abba Gold was released, I have a copy of their greatest hits, one of the 26 million sold. This was followed in 1994 by the Thank you for the Music compilation, a four disk set. The opening of the Musical Mama Mia in 1999 ignited international interest and it is true that they were offered 1 million Swedish Kroner £140 million US dollars for a world tour in 2000, although the precise amount is something of legend. There is no sign of public interest in the musical fading and other language versions have been created and opened in different parts of the world. The film Mama Mia is likely to become another chart topping success as has the DVD. While there is a nostalgia aspect the those who took to the group in the 70’s and 80’s new generations have joined in. Their music lives on.
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